・First-ever fully licensed collection of this music outside of Japan ・Extensive liner notes and artist bios, including an essay by Spencer Doran ・3xLP with deluxe Stoughton “tip-on” jackets ・Vinyl pressed at RTI ・Cover photo by Osamu Murai features buildings designed by Fumihiko Maki ・MP3s are only available for 10 songs Light In The Attic’s Japan Archival Series continues with Kankyō Ongaku: Japanese Ambient, Environmental & New Age Music 1980-1990, an unprecedented overview of the country’s vital minimal, ambient, avant-garde, and New Age music – what can collectively be described as kankyō ongaku, or environmental music. The collection features internationally acclaimed artists such as Haruomi Hosono, Ryuichi Sakamoto and Joe Hisaishi, as well as other pioneers like Hiroshi Yoshimura, Yoshio Ojima and Satoshi Ashikawa, who deserve a place alongside the indisputable giants of these genres. In the 1970s, the concepts of Brian Eno’s “ambient” and Erik Satie’s “furniture music” began to take hold in the minds of artists and musicians around Tokyo. Emerging fields like soundscape design and architectural acoustics opened up new ways in which sound and music could be consumed. For artists like Yoshimura, Ojima and Ashikawa, these ideas became the foundation for their musical works, which were heard not only on records and in live performances, but also within public and private spaces where they intermingled with the sounds and environments of everyday life. The bubble economy of 1980s Japan also had a hand in the advancement of kankyō ongaku. In an attempt to cultivate an image of sophisticated lifestyle, corporations with expendable income bankrolled various art and music initiatives, which opened up new and unorthodox ways in which artists could integrate their avant-garde musical forms into everyday life: in-store music for Muji, promo LP for a Sanyo AC unit, a Seiko watch advert, among others that can be heard in this collection. Kankyō Ongaku is expertly compiled by Spencer Doran (Visible Cloaks) who, with a series of revelatory mixtapes as well as his label Empire of Signs (Music For Nine Postcards), has been instrumental in shepherding interest in this music outside of Japan. Together with Light In The Attic’s celebrated anthologies I Am The Center and The Microcosm, Kankyō Ongaku helps to broaden our understanding of this quietly profound music, regardless of the environment in which it’s heard. (LIGHT IN THE ATTIC HPより) 収録曲 Disc 1 SIDE A 1. Still Space - Satoshi Ashikawa 2. Glass Chattering - Yoshio Ojima 3. Nemureru Yoru (Karaoke Version) - Hideki Matsutake SIDE B 4. Islander - Joe Hisaishi 5. Ear Dreamin' - Yoshiaki Ochi 6. Variation III - Masashi Kitamura + Phonogenix 7. Park - Interior 8. Nube - Yoichiro Yoshikawa SIDE C 9. Meet Me In The Sheep Meadow - Yoshio Suzuki 10. Ishiura (abridged) - Toshi Tsuchitori 11. Tomoshibi (abridged) - Shiho Yabuki 12. Chaconne - Toshifumi Hinata SIDE D 1. Seiko 3 - Yasuaki Shimizu 2. Apple Star - Inoyama Land 3. Blink - Hiroshi Yoshimura 4. See The Light (abridged) - Fumio Miyashita SIDE E 5. Praying For Mother / Earth Part 1 - Akira Ito 6. Breathing New Life - Jun Fukamachi 7. Snow - Takashi Toyoda 8. Loom - Yellow Magic Orchestra SIDE F 9. A Dream Sails Out To Sea - Scene 3 - Takashi Kokubo 10.Umi No Sunatsubu - Masahiro Sugaya 11. Original BGM - Haruomi Hosono レーベル : LIGHT IN THE ATTIC 国 :US フォーマット : レコード　3LP 品番 : LIAA167.1 発売: 2019 ★この商品はJEUGIA[Basic.]から発送いたします。 ★掲載の商品は店頭や他のECサイトでも並行して販売しております。 在庫情報の更新には最大限の努力をしておりますが、ご注文が完了しましても売り切れでご用意できない場合がございます。その際はご注文をキャンセルさせていただきますので、予めご了承くださいませ。 ★輸入品の場合、レーベルやレコードにスリキズがある場合がございます。予め商品特性をご理解の上、お求めください。